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MAX G. RUSCA: L’ironia dell’inessenziale

MAX G. RUSCA: L’ironia dell’inessenziale

Thursday, January 31, 2019 at 18:30, THE ART COMPANY Como, in via Borgovico 163 (CO), inaugurated the exhibition: MAX G. RUSCA: L’ironia dell’inessenziale.

The exhibition, curated by Roberto Borghi, will continue until 28 February.

  • Monday to Friday: 10:00 to 12:30 and 15:00 to 18:00
  • Saturday: by appointment
  • Sunday: closed

On the occasion of the exhibition Carlo Pozzoni Fotoeditore will produce a publication with texts by Franco Cerofolini and Roberto Borghi.

Max G. Rusca

Rusca’s painting, already during the nuclear period, stands out for its formal refinement, for its ability to portray visionary landscapes, for some stylistic elements that seem to have been drawn from the artistic tradition of the Far East. From the 1960s onwards, the artist made a personal “return to the origins” of nuclear art by deepening and citing Surrealism. His works are becoming more and more dreamlike and ironic at the same time: this is how some of the cycles documented by the exhibition, such as the ‘Flying Cities’, the ‘Ex voto’, the ‘Anticone’, were born.

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